About The Author

About The Author

Elizabeth Howatt-Jackman

Elizabeth never intended to write a novel until she encountered Richard III, and seeing a wrong that needed to be set right Her early career was in investment banking, followed by a move into the film industry. There, she learned the intricacies of film financing and executive producing, later transitioning to the hands-on side of production. She line-produced The Incurable Romantic and produced the hit film Hating Alison Ashley, as well as Prey, a small, candy horror. While working on financing further films, she began editing other people’s scripts—and in the process, rediscovered her own love for storytelling. This led her to write two scripts about a subject she cares deeply about: resurrecting the maligned reputation of King Richard III of England. For 500 years, Richard III has been known as the archetypal villain, a hunchbacked murderer who left a trail of bodies—including Anne, the love of his life, And his nephews—in his ruthless quest for power. But history, as we know, is written by the victors, and political spin is nothing new. Writing under a Tudor regime, Shakespeare had little choice but to demonise the last Plantagenet king to legitimise Henry Tudor and avoid a hangman’s noose.

Elizabeth Howatt-Jackman originally worked in legal affairs at a film and TV company, where she learned big picture aspects of film financing and executive producing.  She then moved into the hands-on area of film production when she line-produced ‘The Incurable Romantic’ and produced ‘Hating Alison Ashley’ starring Delta Goodrem, the highest grossing Australian film at the Australian box office in 2005 and ‘Prey’ a privately funded feature starring Natalie Bassingthwaighte, released in January 2009.  While working on the financing of further films she began editing other peoples’ scripts when she rediscovered her love of writing. She then decided to write scripts about a subject she cares passionately about, resurrecting the maligned reputation of King Richard III of England. 

For 500 years the world has known Richard III as the archetypical villain, a hunchback who left a trail of murders in his ambitious quest for power, who usurped the throne and killed his own nephews. The victor writes the history and there’s nothing new about political spin. Writing under a Tudor regime, Shakespeare had no choice but to demonise the memory of the last legitimate king to prop the illegitimate Tudor reign. 

Richard III was the last English King to be killed in battle, the last truly English king and the most controversial and enigmatic monarch in British history.  While the play makes great drama, it bears no resemblance to facts. 

With the benefit of innumerable documents uncovered since Shakespeare wrote his play, the book will act as time’s reliable witness.  Richard emerges as a vibrant protagonist, a courageous warrior, an honourable man and a benevolent and progressive king. Overthrowing 500 years of common belief, the book will provoke controversy and engage all readers who enjoy a sweeping story of action, intrigue, betrayal, and inspiration.

The story does not bend facts to make for better reading, it is historically accurate where facts are known and documented. Only minor details have been altered to streamline the story. Where major events are not documented, I have adopted researched theories which I believe to be most credible, based on motives, actual historic indicators and subsequent events. I do not distort the facts to make the story more compelling – because that’s what Shakespeare did.

Richard’s real story is a great story without need to change the facts or the widely-accepted, but lesser known theories. 

This passion resulted in first book ‘Between Love and Loyalty’ A story of love and war, of turbulent clashes and conflicting loyalties, at the centre of which stand Richard and his childhood sweetheart Anne. Their personal destinies are interwoven into this sweeping story of power, passion, heartache and desire.

‘Monarch’ is a sweeping historical drama based on Richard’s tumultuous short reign. It is a story of treachery, intrigue, love and war, set against Richard’s deadly power struggle with the hated former Queen who undermines him at every turn in an attempt to retain her former glory and rule England through her young son.

With the benefit of historical documents uncovered since Shakespeare’s time,   this book is a much more reliable witness. Richard emerges not as a villain, but as a courageous warrior, an honourable man, and a progressive king who sought to rule fairly for his subjects, taking on the corrupt deep state of the time. Elizabeth does not distort facts to make a story more compelling. Richard’s story needs no embellishment and besides, that’s what Shakespeare did. Elizabeth’s first novel, Between Love and Loyalty, is a sweeping historical romance set against the backdrop of war. At its heart lies the passionate, complex relationship between Richard and Anne Neville, as they navigate a world of turbulent alliances, political treachery, and personal sacrifice. Her next book, Monarch, delves into Richard’s tumultuous short reign, a gripping drama of politics, betrayal, and war, culminating in one of England’s most egregious battles. set against Richard’s deadly power struggle with the hated former Queen who undermined him at every turn in an attempt to retain her former glory and rule England through her young son.

Her next book, Monarch, is coming soon.